Simon Gronowski & Koenraad Tinel – Internationales Literaturfestival Berlin – Photo report

Simon Gronowski and Koenraad Tinel present "Finally Free after 70 years" on Sept. 7, 2013 at the 13th Internationales Literaturfestival Berlin
Simon Gronowski and Koenraad Tinel present “Finally Free after 70 years” on Sept. 7, 2013 at the 13th Internationales Literaturfestival Berlin – with Vincent von Wroblewsky (interpreter) and Christine Eichel (host), Joachim Sartorius (Berliner Festspiele), Ulrich Schreiber (festival director), and Joke Schauvliege (Flemish Minister for Culture) in the Haus der Berliner Festspiele.
Photo report (BUM10022V01): Michel van der Burg – michelvanderburg.com

“Auschwitz and forgiveness” by Simon Gronowski (English translation)

Simon Gronowski & Koenraad Tinel in Auschwitz
Simon Gronowski and Koenraad Tinel together in the Auschwitz camp, May 2012.
(image BUM10010V01 – michelvanderburg.com)

“Auschwitz and forgiveness” – a letter by Simon Gronowski (lawyer) was published in French originally as “Auschwitz et le pardon” in Le Monde (France) on Sept. 20, 2013.

Below the English translation of Simon Gronowski’s letter by Michel van der Burg

Auschwitz and forgiveness  

I lost my mother and sister in the gas chambers of Auschwitz – Birkenau and my father died in despair, in July 1945.
I myself was 11 years old when, on 17 March 1943, the Nazis took me, threw me into a dungeon, the basement of the Gestapo on the Avenue Louise in Brussels, then in a big prison, the Dossin barracks in Mechelen, the ‘Belgian Drancy‘. A month later, April 19, 1943, they put me in a cattle car of the 20th Convoy to Auschwitz. Miraculously, I jumped off the train and escaped death. And all this for what? Because my parents were born Jews.

It took me 60 years to tell the drama of my childhood (L’enfant du 20e convoi [tr. The child of the 20th convoy], ed. Luc Pire, 2002, reprinted Renaissance du Livre, 2013). It took sixty years for Koenraad Tinel to tell his own history of a son of a Flemish Nazi. He did this courageously by extraordinary drawings in a book titled Scheisseimer (Lannau, 2009); he is an artist, a sculptor, and he draws.

Forgiveness

His father adored Hitler. He had his two elder sons in the Waffen SS, the oldest one to the eastern front, the other, at sixteen and a half years old too young to fight, in the Flämisch Wachzug (Flemish Guard), a subsidiary of the Gestapo, camp guards of Breendonk and Mechelen. Fortunately, Koenraad was only 6 years old when Hitler came into Belgium, otherwise he would have imitated his brothers. He has rejected completely the ideology of his father.

We met by chance in February 2012. A 16 year old boy I did not know but who knew our two stories, brought us together. Koen said at that time: “When I read your story, I cried.” I replied: “Children of the Nazis are not responsible.” A great friendship is born between us. We were two children crushed by a war we did not understand at all, one on each side of the fence, I at the side of the victims, he the side of the executioners.

For sixty years, he has carried the burden of his father’s fault. Our grief is not comparable but I understand his. He has freed himself of it first by his book Scheisseimer, then by our friendship.

We made a book on this: Neither victim, nor guilty, FINALLY LIBERATED (Ni victime, ni coupable, ENFIN LIBÉRÉS; Renaissance du Livre, 2013): I wrote, Koenraad drew with ink. In January, Koenraad told me: “My brother knows your history, he wants to see you“, this brother, guardian at the Dossin barracks (Kazerne Dossin) when I was detained there, took me at gunpoint into the wagon of death.

So he regretted what he had done and asked me to forgive.
When I saw him, we hugged each other without saying a word, in tears. I forgave him only on my own behalf, not on behalf of other victims and I forgave him alone, not all Nazis. I did it especially for me, feeling I transcended it.

Forgiveness does not mean forgetting. On the contrary, it gives the memory greater prominence, a larger dimension. Our memory is essential: we must know the barbarism of the past to defend democracy today. Democracy is a struggle every day.

Amnesty is unacceptable : it is a blind collective measure that absolves all culprits without requiring them to repent.
Forgiveness is a religious virtue. For Buddhists, it is an act of liberating wisdom.
The bigger the crime, the greater forgiveness.

Some say they would not be able to forgive: – this statement does not make sense because they have never been asked as I have been and it is unlikely they will ever be, but if it happened to them, what would they do ? – 70 years later, they still suffer from their wounds and their resentment when they should love life and believe in happiness, out of respect for the deceased relatives.

When the culprit repents and asks for forgiveness, the victim not only can but must forgive, for refusing means maintaining hatred from both sides. Some criticize my friendship for Koenraad and my forgiveness for his brother.
They want to keep the children and descendants of victims and perpetrators separated forever into two enemy camps.

They are often victims of Nazism. This is normal, they have suffered terrible trauma in their body and in their soul. But they freeze in their victim posture, locked in their bitterness.
Aren’t they thinking too much of their own pain, and not enough of that of the other? Some, born after the war and who have not suffered the Holocaust, are not less hateful.

Such an attitude opens the way to new animosities, new wars, new suffering for our children.
It is not because children of victims and children of offenders for long, for generations, unconsciously, carry the stigma of absolute evil, that they must stay pitted against each other.
Men should not be divided but brought closer together, one must go toward the other to progress and grow together for a better world of peace and mutual respect. This is a message of hope and happiness.
I who lost my family by criminal hate, I do not hate. Despite the tragic events of yesterday and today, because even today in the world there are peoples who suffer, men who suffer, I keep my faith in the future because I believe in human goodness.

Long live peace and friendship between men !

Simon Gronowski (Lawyer)

Simon Gronowskiescaped from the 20th convoy – received the 2006 Grand Prix Condorcet-Aron for democracy – is a former president of the Union of Jews deported from Belgium (Union des Déportés Juifs de Belgique).

Notes –  by Michel van der Burg
– English translation (with help from Richard Bloom) by Michel van der Burg
– I inserted some extra links
– “Auschwitz and forgiveness” – a letter by Simon Gronowski (lawyer) was published in French originally as “Auschwitz et le pardon” in Le Monde (France) on Sept. 20, 2013. (I left out the photo published with the Le Monde letter)
– The image in this post is a frame from video I captured during the visit of Simon Gronowski and Koenraad Tinel in the Auschwitz-Birkenau State Museum, Oświęcim, Poland on May 24, 2012. (image BUM10010V01 – michelvanderburg.com)

Update – Full letter – Sept. 27. Now the translation of the (final) 2nd part of the letter was added (after it became publicly available for all on the website of Le Monde today). This second part starts with: Forgiveness does not mean forgetting. On the contrary,…….
Also the last sentence of the first part was altered.

Richard Bloom speaking at the premiere of the film “Transport XX to Auschwitz”

Richard Bloom addressing the audience at Cinema Paradiso in Florida at the Fort Lauderdale premiere of "Transport XX to Auschwitz".
USA. Florida. October 27, 2012. Richard Bloom (director) speaking at the premiere of the film “Transport XX to Auschwitz” at the Fort Lauderdale International Film Festival at the Cinema Paradiso. In the audience also director Karen Lynne Bloom (bottom left in picture). Image Reference: BUM10006V02 (michelvanderburg.com)

tin can pinhole photography

HOLLAND. Rotterdam. September 11, 2011. Taking a pinhole photo of the Erasmus bridge, using a pinhole in a tin can loaded with photographic paper. Darkroom work was done in the SKVR BeeldFabriek – that also supplied the custom made tin can pinhole cameras.
Using a 2nd camera the process was captured for the 1 minute film “tin can pinhole photo”, with original sound and added music called ‘Sonatina Piccola’ (Jan Masséus, composer) performed by the nearby playing Nederlands Jeugd Accordeon Orkest directed by Marc Belder – during this ’24 uur cultuur’ Rotterdam event.

Credits
SKVR BeeldFabriek – Tin can pinhole camera and darkroom
Nederlands Jeugd Accordeon Orkest directed by Marc Belder – Sonatina Piccola (Jan Masséus)
24 uur cultuur Rotterdam
Erasmus Bridge (Erasmusbrug) on the river ‘Nieuwe Maas’ designed by Ben van Berkel
Film and pinhole photography : Michel van der Burg (michelvanderburg.com)

Holland. Rotterdam. September 11, 2011. Tin can pinhole camera © michelvanderburg.com
Holland. Rotterdam. September 11, 2011. Tin can pinhole camera © michelvanderburg.com
Holland. Rotterdam. September 11, 2011. Darkroom pinhole photography © michelvanderburg.com
Holland. Rotterdam. September 11, 2011. SKVR BeeldFabriek – darkroom pinhole photo work © michelvanderburg.com
Holland. Rotterdam. September 11, 2011. Erasmus bridge pinhole photo © michelvanderburg.com
Holland. Rotterdam. September 11, 2011. Erasmus bridge pinhole photo © michelvanderburg.com

In Figaro Histoire’ #8 (June/July) magazine – “La grande Evasion”

Now in the 'Figaro Histoire' #8 (June/July) magazine a story - in French - "La grande Evasion" on the attack of the 20th train with Jews to Auschwitz, the escape of the 11 year old Simon Gronowski - and his family's fate. (Note - the magazine is worldwide available via the iPad app of  the 'Figaro Histoire')
Now in the ‘Figaro Histoire’ #8 (June/July) magazine a story – in French – “La grande Evasion” on the attack of the 20th train with Jews to Auschwitz, the escape of the 11 year old Simon Gronowski – and his family’s fate. (Note – the magazine is worldwide available via the iPad app of the ‘Figaro Histoire’)

Finally liberatated – no blame, no victim – book presentation 30 April 2013 in Brussels

Finally liberated - no blame, no victim. Book presentation 30 April 2013 in the Filigranes library Brussels by Herman Van Goethem (Conservator Kazerne Dossin) and the authors Simon Gronowski and Koenraad Tinel.  Available in French as 'Enfin libérés' and in Dutch as 'Eindelijk bevrijd'. More info Photo report (video frames): Michel van der Burg
Finally liberated – no blame, no victim.
Book presentation 30 April 2013 in the Filigranes library Brussels by Herman Van Goethem (Conservator Kazerne Dossin) and the authors Simon Gronowski and Koenraad Tinel.
Available in French as ‘Enfin libérés‘ and in Dutch as ‘Eindelijk bevrijd‘. More info
Photo report (video frames): Michel van der Burg