Marc Michiels – expert author on the history of Transport XX and coordinator for many years of the annual Transport XX commemorations in Boortmeerbeek, Belgium – unfortunately passed away April 2021 . Some months later his web site ‘holocaust’ (at telenet.be) dedicated to Transport XX was taken offline. Now — when searching for info on Robert Korten – Marc’s predecessor as the first coordinator and founder of the XXth convoy-commemorations – I was happy to to find Marc’s website is back online, now at the appropriate new domain : transportxxboortmeerbeek.be
Citation info : Transport XX Boortmeerbeek – Marc Michiels | 20240309 | Miracles•Media | TakeNode fd808fa3-09f2-4c0d-b9c8-f711a47b05ba | URL 1-memo.com/2024/03/09
Filmmaker Rudolf Breslauer also filmed two of his children in the Westerborkfilm…
Stefan (left) & Ursula Breslauer, children of Rudolf Breslauer, the filmmaker of the Westerbork film at the farm of Camp Westerbork in 1944 – identified by the dutch photographer Sake Elzinga, who received Breslauer’s family photo albums last year when the family of Ursula – the only survivor – visited an expo on Breslauer in the Westerbork museum in the Netherlands.
Camp commander (SS-Obersturmführer) Albert Gemmeker ordered the Westerbork film , made by the German Jewish prisoner, photographer, Rudolf Breslauer in the spring of 1944.
Today 80 years ago – March 5, 1944 – the camp is an ‘Arbeitslager’ – a work camp – when Rudolf Breslauer starts filming the daily life of the Westerbork prisoners — inside : in the barracks, for example a religious service, cabaret, workshops, factories, aircraft and battery recycling, medical care, and outside the barracks : construction of a greenhouse, a football match, women working out, chopping wood, incoming transports, and eventually also the departure of a deportation train. After Breslauer films the deportation of Jews, Roma and Sinti to Bergen-Belsen and Auschwitz on May 19, 1944 the filming stops. The haunting image of the 9-year-old dutch Sinti-girl Settela, standing in the closing doors of the goods train, and the unique footage of that deportation train that leaves the Westerbork camp, became iconic after the war.
Deportation Breslauer family
Werner Rudolf Breslauer , his wife Bella Weihsmann, sons Stefan and Max Michael (Mischa), and daughter Ursula were deported autumn 1944 from Westerbork to Theresienstadt and Auschwitz. Only Ursula survived.
Stefan & Ursula Breslauer in Westerborkfilm | 20240305 | Settela•Com | Frame 127475 from Westerbork Film 🎦 2021 | 20220302 | Settela•Com | ISSN 2949 9313 | Footage filmed by Rudolf Breslauer in 1944, courtesy of NIOD | Sound and Vision
Scene with Stefan & Ursula Breslauer, starting at 56:13 in the 1986 RVD edition of the Westerborkfilm: Stefan & Ursula Breslauer in Westerbork Film RVD | 20240305 | Settela•Com | URL https://youtube.com/clip/UgkxfNzA72JeGgVoOFp_VTI4EQQr3yTwXu6_
Settela Film | 20220630 | Michel van der Burg | Settela•Com
Deportation Westerbork Film | 20210719 | Michel van der Burg | Settela•Com
TRANSPORT XX — installation Brussels February 28th, 2009, Brussels. Day two, of my encounter with the TRANSPORT XX installation outside in the Royal park in Brussels, that presented 1200 photographic portraits of Jews deported from Malines (Belgium) to Auschwitz in 1943. One of the stills and establising video shots made that Saturday morning after finishing long take video recordings of the installation, during a walk from our hotel in the Leopold (European) Quarter via the Royal park direction the historic centre of Brussels. That weekend break in Brussels, today 15 years ago, turned out to be a turning point in my life. Two months later – April 19, 2009 – the film TRANSPORT XX — installation Brussels was published.
8. First Encounter TRANSPORT XX … | 20240227 | Michel van der Burg | Miracles•Media | URL https://michelvanderburg.com/2024/02/27 | TakeNode cf0dd64d-4512-4846-8bce-6b2d8cca24ef
9. Camera used for both photo and video (720p HD video) of the TRANSPORT XX installation in Brussels is the Sony DSC-T500 which has a CCD sensor – with global shutter – thus not affected by rolling shutter distortion while panning the installation.
Citation info : Encounter TRANSPORT XX … | 20240228 | Michel van der Burg | Miracles•Media | URL https://michelvanderburg.com/2024/02/28 | TakeNode a8317838-7470-4538-b788-40e6cc07b55a
February 28th, 2009, Brussels — my first encounter with the TRANSPORT XX installation in Brussels, that presented 1200 photographic portraits of Jews deported from Malines (Belgium) to Auschwitz in 1943. Turning point in my life. Two months later – April 19, 2009 – the film was published.
Citation info : First Encounter TRANSPORT XX … | 20240227 | Michel van der Burg | Miracles•Media | URL https://michelvanderburg.com/2024/02/27 | TakeNode cf0dd64d-4512-4846-8bce-6b2d8cca24ef
Song sung by Isabella’s great-grandchild Ameet Kanon (aka Queen George) , who explained today – Friday , December 1, 2023 – at the premiere :
“The Abbey – it’s been so special and personal keeping you to myself, but your message was always too big for me not to share it …
… This is Isabella Weinreb Castegnier. She is my great-grandmother. On April 19th, 1943, pregnant with my grandmother, she jumped out of a moving train headed to Auschwitz. She was being sent to her death, simply because she was a Jew. She understood that it was now or never, die at the destination or die trying, so she jumped. In the years to follow this epic jump, the Abbeys of Brussels became a place of hiding, survival, and safety for them time and time again.”
Silent film — Towards the end of World War I – in the summer 1918 , after the Allies defeated the Germans in the Second Battle of the Marne – large groups of Belgians and French refugees flee in front of the retreating enemy force to the neutral Netherlands.
The Dutch army and Red Cross prepared to receive a possible 100,000 evacuees in the border towns in the south of the Netherlands.
After wandering weeks in the north of France , and next crossing Belgium on foot, the first group of French refugees arrived at the Dutch border October 20, completely exhausted.
At the gate in the electric wire fence at the border to the Netherlands – the so-called ‘Death Wire’ (dutch : Dodendraad ) Dutch soldiers took them over from German escorts.
Some refugees had travelled by tram part of the route crossing Belgium to the belgian border town Molenbeersel.
At the dutch border the refugees were welcomed and ladies from relief committees provide the refugees with food and drinks on the road to Stramproy in the Netherlands.
Within days , thousands of French refugees arrive in the village of Stramproy and are transferred to the city of Weert .
On arrival in the city center of Weert the dutch army registered people and handed out soup and bread.
The weak, the sick, and maternity women were cared for by the Red Cross and taken to an aid post for further care.
The refugees were sheltered the night in buildings like convents and schools in Weert, before being housed elsewhere in the country the following days.
References
Source (video footage) : Belgische vluchtelingen 1e Wereldoorlog. Open Images | Beeld & Geluid (Sound &Vision).
Weert en het einde van W.O.-I. | Jan Henkens | Stichting Historisch Onderzoek Weert | URL http://www.showeert.nl
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