Transport XX Face to Face

Transport XX Face to Face
This 1 minute film is a video impression (February 28th, 2009) of the confrontation of passers-by with the TRANSPORT XX installation in Brussels, that presented photographic portraits of 1,200 of the 1,631 Jewish prisoners deported with the 20th train convoy to Auschwitz in 1943.

Transport XX to Auschwitz

On April 19, 1943 at 10 p.m. the 20th train convoy departed the Dossin barracks (Kazerne Dossin) in Mechelen (Belgium) with 40 cattle cars crammed with 1631 Jewish men, women and children for Auschwitz (Poland). The in Belgium captured Jews were over 90% ‘foreigners’ (with no Belgian nationality) who either when war broke out or (many) years earlier had fled from mainly Eastern Europe, Germany and Holland to Belgium. Half an hour after the departure of this transport XX three young Belgians from Brussels, Youra Livschitz, Jean Franklemon and Robert Maistriau stopped the train between Boortmeerbeek and Haacht, opened one of the cars and liberated 17 prisoners. Later before the train reaches the German border over 200 other prisoners decide to attempt to escape and also jump out of the cars. In total 233 people attempted to escape, and 188 did succeed. Unfortunately also 26 were killed and 89 others recaptured and interned or put on future trains to Auschwitz. This 20th transport arrived at Auschwitz on April 22. Only 153 of those on board survived this death camp. This was the only documented attack on a death train during the Shoah.
More on Transport XX in the 1 hour documentary film ‘Transport XX to Auschwitz’ – a film by Karen Lynne & Richard Bloom and Michel van der Burg – https://michelvanderburg.com/2013/04/19/transport-xx-to-auschwitz/

Project “Give them a Face”

The Kazerne Dossin (project “Give them a Face”) digitalised the photo’s of the Dossin prisoners, that mostly are from the “National State Archives of Belgium. Ministry of Justice, Public Safety Office, Foreigner’s Police, individual files”
The TRANSPORT XX installation in Brussels was organised from 27 January to 15 March 2009 by the BELvue Museum in collaboration with the JMDR / Kazerne Dossin. The photographic portraits were displayed outside in the Royal park in Brussels (opposite the Royal Palace).
Thank you: Marjan Verplancke and other co-workers of the Jewish Museum of Deportation and Resistance (JMDR) in Mechelen (Malines, Belgium) and project “Give them a Face”.
With the ‘Give Them a Face’ project the Kazerne Dossin aims to bring together as many portraits of deportees from the Dossin barracks in Mechelen as possible and give them back their face – and the memory alive.

Film TRANSPORT XX – installation Brussels

This ‘one minute cut’ is a reworking of the film ‘TRANSPORT XX — installation Brussels’ Michel van der Burg – published online April 19, 2009 – https://michelvanderburg.com/2009/04/19/transport-xx-installation-brussels/ .

Transport XX Face to Face – 1 minute film

For this special ‘The One Minute’ edition, the original film of around 3 minutes was edited to a 1-minute cut.
‘Transport XX – Face to Face’ by Michel van der Burg premiered at the ‘Where history starts’ festival by The One Minutes and the Museum of National History (innl) in theater Paradiso , November 28, 2010, Amsterdam, Netherlands. That ‘Where history starts’ series of 1 minute films was also released by theoneminutes foundation in 2010 on DVD (limited edition). That original 2010 1-minute film contained no title nor credits. The title and credits were added in the 2012 edition of the 1-minute film that I made available on DVD and also online (that 2012 edition is republished here in larger format and modified endscreen).
Online the 2010 edition was first shown in a short documentary of the premiere screening via Vimeo (#35784512) 27 January 2012, and the 2012 (DVD) edition with credits was published via Vimeo (#40331755 – vimeo.com/michelvanderburg/txx1minute ) 13 April 2012, and via Youtube at the now dormant iClip channel Apr 19, 2012.

This 2020 edition

Now (January 2020) a 4K edition is published – new online at my main YouTube channel ( https://www.youtube.com/michelvanderburg ) and new also at the today started Instagram account Miracles.Media ( @miracles.media ).

Links

One minute film
https://michelvanderburg.com/2011/12/14/oneminutes-paradiso-transport-xx/

Other film versions
https://michelvanderburg.com/2009/04/19/transport-xx-installation-brussels/

Credits | Summary

Transport XX Face to Face ~ The One Minutes
This 1 minute film is a video impression (February 28th, 2009) of the confrontation of passers-by with the TRANSPORT XX installation in Brussels, that presented photographic portraits of 1,200 of the 1,631 Jewish prisoners deported with the 20th train convoy to Auschwitz in 1943.
Event : TRANSPORT XX installation by the BELvue Museum / JMDR / Kazerne Dossin, February 28, 2009, Brussels, Belgium.
Original film version : ‘TRANSPORT XX — installation Brussels’ – published online April 19, 2009 by Michel van der Burg | https://michelvanderburg.com/2009/04/19/transport-xx-installation-brussels/ .
This 1 minute film ‘Transport XX – Face to Face’ by Michel van der Burg premiered at the ‘Where history starts’ festival by The One Minutes and the Museum of National History (innl) in theater Paradiso , November 28, 2010, Amsterdam, Netherlands.
Instagram : @miracles.media @theoneminutes @michelvanderburg @kazernedossin @belvuemuseum @paradisoadam Full info posted at https://michelvanderburg.com/2020/01/10/ Film : Transport XX Face to Face (20200110) Michel van der Burg | miracles.media

Flammable Films Bunker

Flammable Films Bunker
Former german bunker (Atlantic Wall) in the dunes along the North Sea near Scheveningen , The Hague, with special safes to store the flammable nitrate films of dutch history from the national dutch archive – historic films for safety reasons not allowed within built-up areas.
Here the Westerbork film footage also was examined in the 1990s for clues about the deportation trains and the name of the girl with the ‘working’ name Esther (by researcher Aad Wagenaar) – later to be identified as Settela.
Here a 1980 Polygoon newsreel on the restauration of this RVD archive bunker with new safes.

Credit
Source : Polygoon-Profilti (producer) / Netherlands Institute for Sound and Vision (curator).
Film edit : Flammable Films Bunker | 20191216 | Michel van der Burg | Settela•Com – CC BY-SA 4.0

Updates

20220604 – Format changes credit line

Message To Kazerne Dossin

Message To Kazerne Dossin
Behind the scenes working on Miracles film. Typing a last message in the guest book at a film location scouting visit October 19, 2013 with Philippe Renette at the Kazerne Dossin Museum in Mechelen, Belgium .

“Echt onder de indruk.
Een museum voor de jongere generaties.
Nooit meer vergeten en zorgen dat het nooit meer gebeurt.
Respect en verdraagzaamheid. — Philippe Renette

Translation :
Really impressed.
A museum for the younger generations.
Never forget and ensure that it never happens again.
Respect and tolerance.

Credits
Message To Kazerne Dossin
Behind the Scenes Miracles film October 19, 2013 with Philippe Renette.
Film (20191005) Michel van der Burg | miracles.media

Refuge Atelier Marcel Hastir – Paulus Newsletter

Host Country Belgium – PaulusRundbrief Nº495
When you drive from the Flemish countryside to the city of Brussels, you are greeted at the city limits by posters that welcome you in four languages – that inspired the title for this Paulus Newsletter’s theme: La Belgique – Pays d’Accueil ! … Belgium has always been a destination for the politically persecuted …

Refuge Atelier Marcel Hastir
In this newsletter ‘Zufluchtsort Atelier’ (Refuge Atelier) by Susanne Fexer on the atelier of Marcel Hastir in Brussels, Belgium, where he helped save the lives of countless people during the Nazi terror.

Credits | Links
Text based on quotes (translated) from the Editorial by Annick Dohet-Gremminger in the bimonthly Paulus newsletter (PaulusRundbrief N°495) of the Katholische Gemeinde Deutscher Sprache Brüssel Sankt Paulus – the Catholic Community German Language Brussels St. Paulus.

PaulusRundbrief N°495 is available digital from the archive at the Sankt Paulus site – http://www.sankt-paulus.eu

Film : Refuge Atelier Marcel Hastir – Paulus Newsletter (20191004) Michel van der Burg | miracles.media

Amsterdam’s Choir of the Great Synagogue 1935


November 1935, on the occasion of the 300th anniversary of the NIHS Jewish Community of Amsterdam (orthodox Ashkenazi congregation started 1635) the dutch film factory Polygoon brought this unique cinema sound newsreel of the Amsterdam Choir of the Great Synagogue led by choirmaster Samuel Henri (Sam) Englander, with a solo perfomance by chazzan (cantor) Izrael Eljasz Maroko in the Great Synagogue (inauguration building 1671) – now home to the Jewish Historical Museum in Amsterdam, Holland (Ref 1).

As the Amsterdamsche Joodsche Koor (Amsterdam Jewish Choir), the choir also performed in non-religious venues, including the Amsterdam Concertgebouw (Ref 2). The choir’s repertoire was expanded to include what were referred to as Eastern European Jewish folksongs and modern Palestinian-Jewish songs (i.e., contemporary Hebrew songs).
The Choir of the Great Synagogue and Amsterdam Jewish Choir was composed of the following singers (those marked with an asterisk sang during synagogue services):

Giacomo Aletrino (tenor)
Marcus Bonn (bass)
Joop Delcanho* (tenor)
David Duque (bass)
Michel Gobets (tenor)
Nathan Gobets Sr.* (tenor)
Barend Levie Muller* (bass)
Meijer Nebig* (baritone)
Lou Nieweg* (tenor)
David Peeper* (baritone)
Louis Polak (bass)
Jo Rabbie* (baritone)
Sal Stodel (baritone)
Bernard de Wit (bass)
Louis de Wit* (bass)
Of all of them, only Lou Nieweg is known to have survived the Second World War.

NL (dutch)

November 1935, ter gelegenheid van het 300-jarig bestaan van de NIHS Joodse Gemeenschap van Amsterdam (de Asjkenazische gemeente Amsterdam of ‘Nederlands Israëlitische Hoofd Synagoge’) kwam het Polygoon bioscoopjournaal met deze unieke geluidsfilm van het Amsterdams Koor der Grote Synagoge onder leiding van koordirigent Samuel Henri (Sam) Englander, met een solo van oppervoorzanger Izrael Eljasz Maroko in de Grote Synagoge in Amsterdam (inwijding gebouw 1671) – nu het Joods Historisch Museum (Ref 1).

Het koor trad ook op als het Amsterdamsche Joodsche Koor op niet-religieuze locaties, waaronder het Amsterdamse Concertgebouw (Ref 2). Het uitgebreide repertoire van het koor omvatte ook zogenaamde Oost-Europese Joodse volksliederen en moderne Palestijnse-Joodse liederen (d.w.z. hedendaagse Hebreeuwse liederen).
Het Koor der Grote Synagoge en het Amsterdam Joods Koor bestond uit de volgende zangers (die met een asterisk gemarkeerd, zongen tijdens synagoge-diensten):

Giacomo Aletrino (tenor)
Marcus Bonn (bas)
Joop Delcanho * (tenor)
David Duque (bas)
Michel Gobets (tenor)
Nathan Gobets Sr. * (tenor)
Barend Levie Muller * (bas)
Meijer Nebig * (bariton)
Lou Nieweg * (tenor)
David Peeper * (bariton)
Louis Polak (bas)
Jo Rabbie * (bariton)
Sal Stodel (bariton)
Bernard de Wit (bas)
Louis de Wit * (bas)
Alleen van Lou Nieweg is bekend dat hij de Tweede Wereldoorlog heeft overleefd.

Notes

1. De Eerste Zichtbare Synagoge Van West-Europa. Amsterdam (Netherlands) : Joods Historisch Museum | jck.nl ; (accessed 2019 Aug 30). Link URL: https://jck.nl/nl/longread/de-grote-synagoge

2. Anton Kras. The Choir of the Great Synagogue, Amsterdam, Holland. Tel Aviv (Israel) : Museum of the Jewish People at Beit Hatfutsot | http://www.bh.org.il ; (accessed 2019 Aug 30). Link URL: https://www.bh.org.il/choir-great-synagogue-amsterdam/


Source: Polygoon-Profilti courtesy of Netherlands Institute for Sound and Vision (Public Domain – Open Images).

Citation info : Amsterdam’s Choir of the Great Synagogue 1935 • Michel van der Burg • Miracles•Media • 20190830 • URL https://michelvanderburg.com/2019/08/30/amsterdams-choir-of-the-great-synagogue-1935/ • CC BY 4.0 .

Mokum Market ~ Amsterdam Jewish Quarter 1931 (update)


① memo 20190815 ~ Mokum Market ~ Amsterdam Jewish Quarter 1931 ~ New version of yesterday’s (20190814) film – slowed to 75%*. Sunday outdoor market in the ‘Nieuwe Uylenburgerstraat’ street in the Jewish quarter of Amsterdam (Mokum). Dutch Polygoon cinema newsreel 25 January 1931. The market on the Uilenburgerstraat specialized in second-hand goods fish, and other food products, including the ever-popular ‘Jewish pickles’. The Depression in the 1930s led to unemployment in many trades, including the diamond industry, where many Jews had worked. As a consequence, the number of market vendors and peddlers increased in the 1930s. In September 1941 the Nazis prohibited Jews from trading at public markets. Special markets where only Jews were allowed to trade opened nearby. Very few Jewish market and street vendors survived the war. The Uilenburgerstraat market never reopened (info source https://www.joodsmonument.nl/en/page/671/jewish-market-and-street-vendors-in-amsterdam ). Footage thanks to Netherlands Institute for Sound and Vision (Open Images).

* Note – Yesterday’s film (Mokum Market version 20190814) seems sped up – probably because of a wrong play speed when scanned for digitalisation). Thus , I post this new version today, sloweddown to 75% speed at play back – based subjectively on how motion of people looks , and based on other writings that silent films are often distributed with instructions for the projectionist to be run at 18fps , rather then the modern 24 frames per second – thus requiring a 18/24 = 75% fps.