Almost certainly, three Jewish people have been recognized in the unique Westerbork film from 1944 (1). This time it concerns the 9-year-old boy Israël Wijnschenk, his father Max Wijnschenk, and his grandmother Betje Kokernoot-van Furth, who all lived in Utrecht (Holland).
Last week, the Dutch public broadcaster NOS (2) reported the news from the Utrecht (Dutch) news site Nieuws030 (3) that it is very likely that three people were recognized again in this film made by the Jewish prisoner and filmmaker Rudolf Breslauer showing the deportation of Jews, Roma and Sinti by train in Camp Westerbork on May 19, 1944.
Image researcher Koen Hulsbos — who previously identified an Amsterdam couple in this deportation train (4) — thought he recognized the young Israël Wijnschenk, a pupil at the time of the Joodse (Jewish) School Utrecht, and presented this to Victor Frederik, researcher of the Joodse School (5,6). The boy, the man, and the woman seem to belong together, and were recognized from family photos, also by family members.
It is certain that Max and his wife Chel (not in the images) returned to Utrecht after the war, their children Israël and his sister Kitty were murdered. Grandma Betje was also gassed in Auschwitz.
A portrait of Israël Wijnschenk is shown at the site of Joods Monument (7).
According to the transport list, there were two other children in that wagon, Joseph Beugeltas (11 years old) and Manfred Studzinsky (7 years old). Joseph Beugeltas appeared to have blond hair, and could not have been it (6). To be completely sure, the researchers are still looking for a photo of Manfred Studzinsky, for comparison…
Ward Adriaens (Mechelen, Belgium) passed away suddenly on the evening of November 15th, 2024. A wonderful man, a freethinker, author, with a passion for living history, especially the resistance, partisans, in World War II, and the founding director in 1995 of the Jewish Museum of Deportation and Resistance (JMDR) that opened its doors in 1996. In 2012 the JMDR became the Kazerne Dossin museum, with Ward Adriaens as honorary curator. In 2005 Ward Adriaens launched the Give Them a Face archival project. The portraits of all Jewish, Roma and Sinti deportees which passed through the SS-Sammellager Mecheln (Dossin barracks, transit camp, Mechelen) in 1942-1944, were scanned to create the “Give Them a Face” portrait collection. All around 20,000 photos in the Give Them a Face portrait collection are now part of the commemoration wall – a permanent exhibition – at the Kazerne Dossin museum.
In 2009 , I first encountered the Transport XX installation in Brussels, and met Ward Adriaens’ team of the Give Them a Face project in the Jewish Museum of Deportation and Resistance in Mechelen, Belgium (1,2).
Next , Ward Adriaens participated in our 2012 documentary Transport XX to Auschwitz (3).
Recently, May 2024, Ward Adriaens’ opening speech at the TRANSPORT XX installation in Mechelen in 2007, was posted in the ‘Miracles’ project at Miracles•Media (4).
Quote
“…Let us clearly understand that this is the fundamental basis of racism: persecuted because we have a mother. We all have parents and many amongst us have children. In order to protect them it is essential that we do not give an inch to racism. Everyone of us will come under threat should the policy makers be influenced by racism…”
3. Ward Adriaens’ interview by the dutch reporters Piet de Blaauw & Aart Zeeman (Dutch NCRV-Netwerk broadcast, 13 April 2005, NL1) from the documentary ‘Transport XX to Auschwitz’ – a film by Karen Lynne & Richard Bloom and Michel van der Burg • In : Documentary film “Transport XX to Auschwitz” • Miracles•Media • 20130419 • URL (retrieved 20241119) https://michelvanderburg.com/2013/04/19/transport-xx-to-auschwitz/
RESCUE RUN : Capt. Jake Rogers’ Daring Return to Occupied Europe • John Winn Miller
After escaping the treacherous waters of WWII, Captain Jake Rogers leads his crew on a daring mission across Nazi-occupied Europe to rescue the father of his beloved, entangled in a web of espionage, betrayal, and relentless pursuit.
Review of John Winn Miller’s novel ‘Rescue Run’
John Winn Miller, a veteran of investigative journalism for decades, masterfully weaves historical detail into his World War II novel Rescue Run. The story follows American ship’s captain Jake Rogers, who, after his U.S. Liberty ship carrying war supplies is wrecked in the North Atlantic, first lands in Ireland. He then sets out with a few of his loyal men on a perilous mission to rescue the father of Miriam Maduro, the love of his life, from the Westerbork transit camp in Nazi-occupied Holland.
A gruelling journey follows from Amsterdam across Nazi-occupied Europe to Spain – on foot, by train, and by boat – via a long series of hiding places, historical locations and events, aided by well-known and lesser-known resistance organisations and historical figures, besieged by con men, double agents, gangsters and pursued by a ruthless Dutch bounty hunter.
As a non-native English speaker, I initially struggled a bit with the first few chapters, particularly the maritime terms and rich language used in the sea adventure with the Liberty ship, besides the introduction of the many characters. However, once past those pages, the novel became a true page-turner. The gripping, almost cinematic narrative had me finishing the book in just two or three days, despite also spending some time online searching for even more historical context, for example when Rogers is helped by the Dutch resistance group ‘Groep 2000’ led by Jacoba van Tongeren, and when characters like Etty Hillesum and Audrey Hepburn appear in the story.
Blending Fiction and Nonfiction
I rarely read fiction these days — almost exclusively occupied with non-fiction — but John Miller’s work intrigued me. I was curious to see how he managed to incorporate the reality of Nazi-occupied Europe, and in particular the Westerbork transit camp, into fiction. The result is exceptional. The blend of fiction and nonfiction strengthens the narrative, bringing the past vividly to life. Miller also provides an extensive set of notes at the end of the book, offering in-depth background information on the events and historical figures featured in the story, detailing also what happened to them after the events of the novel.
I especially appreciate how John Winn Miller brings the wartime past to life in Rescue Run, with accuracy and rich detail, from multiple perspectives. His cinematic storytelling draws readers into a narrative that inspires further exploration of this history.
Michel van der Burg, filmmaker, editor of Settela•Com
Notes
Additional Information:
Title:Rescue Run: Capt. Jake Rogers’ Daring Return to Occupied Europe
John Winn Miller is an award-winning investigative reporter, foreign correspondent, editor, publisher, screenwriter, indie movie producer and novelist. | Photo Bancroft Press. | More info at Miller’s website URL https://www.johnwinnmiller.com
John Winn Miller
Though Rescue Run is a sequel to Miller’s first novel, The Hunt for the Peggy C, no prior knowledge of the first book is required. A summary of the prequel is included for new readers or those needing a refresher.
Westerbork Film Frame
This review was prompted by my contribution of a still (image below) from the Westerbork film for Rescue Run’s jacket/cover, in collaboration with designer Christine Van Bree , and author John Winn Miller. John kindly provided me with a link for a free download of the Advance Reader Copy on the BookSirens’ platform. Since I’m documenting the Westerbork film through the online magazine Settela•Com, I happily accepted BookSiren’s invitation to join the review team.
Deportation | 20240225 | Settela•Com | Commander Albert Gemmeker oversees the deportation of Jews, Sinti, and Roma from the Westerbork transit camp May 19, 1944 | Frame 7426 from Deportation Westerbork Film | 20210719 | Settela•Com | ISSN 2949 9313
Citation info : Review RESCUE RUN • 20240927 • Michel van der Burg • Settela•Com • ISSN 2949-9313
Marc Michiels – expert author on the history of Transport XX and coordinator for many years of the annual Transport XX commemorations in Boortmeerbeek, Belgium – unfortunately passed away April 2021 . Some months later his web site ‘holocaust’ (at telenet.be) dedicated to Transport XX was taken offline. Now — when searching for info on Robert Korten – Marc’s predecessor as the first coordinator and founder of the XXth convoy-commemorations – I was happy to to find Marc’s website is back online, now at the appropriate new domain : transportxxboortmeerbeek.be
Citation info : Transport XX Boortmeerbeek – Marc Michiels | 20240309 | Miracles•Media | TakeNode fd808fa3-09f2-4c0d-b9c8-f711a47b05ba | URL 1-memo.com/2024/03/09
Filmmaker Rudolf Breslauer also filmed two of his children in the Westerborkfilm…
Stefan (left) & Ursula Breslauer, children of Rudolf Breslauer, the filmmaker of the Westerbork film at the farm of Camp Westerbork in 1944 – identified by the dutch photographer Sake Elzinga, who received Breslauer’s family photo albums last year when the family of Ursula – the only survivor – visited an expo on Breslauer in the Westerbork museum in the Netherlands.
Camp commander (SS-Obersturmführer) Albert Gemmeker ordered the Westerbork film , made by the German Jewish prisoner, photographer, Rudolf Breslauer in the spring of 1944.
Today 80 years ago – March 5, 1944 – the camp is an ‘Arbeitslager’ – a work camp – when Rudolf Breslauer starts filming the daily life of the Westerbork prisoners — inside : in the barracks, for example a religious service, cabaret, workshops, factories, aircraft and battery recycling, medical care, and outside the barracks : construction of a greenhouse, a football match, women working out, chopping wood, incoming transports, and eventually also the departure of a deportation train. After Breslauer films the deportation of Jews, Roma and Sinti to Bergen-Belsen and Auschwitz on May 19, 1944 the filming stops. The haunting image of the 9-year-old dutch Sinti-girl Settela, standing in the closing doors of the goods train, and the unique footage of that deportation train that leaves the Westerbork camp, became iconic after the war.
Deportation Breslauer family
Werner Rudolf Breslauer , his wife Bella Weihsmann, sons Stefan and Max Michael (Mischa), and daughter Ursula were deported autumn 1944 from Westerbork to Theresienstadt and Auschwitz. Only Ursula survived.
Stefan & Ursula Breslauer in Westerborkfilm | 20240305 | Settela•Com | Frame 127475 from Westerbork Film 🎦 2021 | 20220302 | Settela•Com | ISSN 2949 9313 | Footage filmed by Rudolf Breslauer in 1944, courtesy of NIOD | Sound and Vision
Scene with Stefan & Ursula Breslauer, starting at 56:13 in the 1986 RVD edition of the Westerborkfilm: Stefan & Ursula Breslauer in Westerbork Film RVD | 20240305 | Settela•Com | URL https://youtube.com/clip/UgkxfNzA72JeGgVoOFp_VTI4EQQr3yTwXu6_
Settela Film | 20220630 | Michel van der Burg | Settela•Com
Deportation Westerbork Film | 20210719 | Michel van der Burg | Settela•Com
The 9th Annual International Congress of the PEN Club — Poets, Essayists, Novelists — in 1931 in the townhall of Rotterdam, Holland, with a focus on the Flemish writer Felix Timmermans, Dutch writer Dirk Coster (?), Dutch poet P.C. Boutens, Dutch writer Anthonetta (Top) Naeff, and in the final scene : the English author John Galsworthy (Nobel Prize Literature 1932) talking with the Dutch journalist and writer Lord Jan Feith, and the French author, critic and literary historian Benjamin Crêmieux — secretary of the French section of the PEN Club (see below).
From its inception in 1921, PEN was intended to be a non-political organisation. However, with the rise of the Nazis in Germany, and of fascism in Spain and Italy, it became increasingly difficult for PEN to stay away from the political; and that year 1931, the PEN Committee made a public ‘Appeal to All Governments’, which protested the plight of those imprisoned for political or religious reasons.
In 1940 Benjamin Crêmieux joined the French underground and became a leader of the Maquis resistance fighters. In April 1943, two Gestapo agents detained Crémieux in Marseilles. He was arrested, imprisoned, and deported to Nazi Germany, where, in April 1944 he was executed in the Buchenwald concentration camp.
Film edited from dutch Polygoon Hollands Nieuws cinema news reel week 14 , 1931 | Sound & Vision (Open Images). Citation info : PEN Club 1931 | 20240112 | Miracles•Media | @michelvanderburg | TakeNode bed03c07-cc96-40cd-b917-0fc693bb55cd