Images from the Westerborkfilm have been used countless times in documentaries and films about the Second World War. Here images screening in the virtual opera PUSH – based on the story of Simon Gronowski – an 11 year old Jewish boy who was pushed from the train – Transport XX – by his mother on the way to Auschwitz — Video clip https://youtube.com/clip/UgkxsM6Rj_HB0xEh4TksbjhIm4EzY81dc4H0
A virtual performance, during the April 2020 Corona virus lockdown, of the epilogue of the community opera PUSH , entitled : Ma Vie N’est Que Miracles | My life is only miracles – hosted by composer Howard Moody. It premiered on the night of the 19th April 2020, exactly 77 years after three Brussels resistance heroes stopped the Nazi train Transport XX, transporting 1600 Jewish deportees to Auschwitz, and more than 200 prisoners escaped from the train before the German border. Info : michelvanderburg.com/2020/04/19 .
Images from the Westerborkfilm have been used countless times in documentaries and films about the Second World War.
Here Westerborkfilm images – clips – screening semi-permanent ten years ago (Feb. 2013) in a museum introduction film (on holocaust, genocides, discrimination, diversity, rights) on one of the huge columns in the entrance hall of the Kazerne Dossin museum in Mechelen, Belgium (a few months after opening of the new Kazerne Dossin building). Note, shortly after this outbound deportation transport to Bergen-Belsen and Auschwitz, had left the Westerbork transit camp on May 19, 1944, the train paused at the nearby railway station of the dutch town Assen, where train cars were added from Belgian Transport XXV (25) with 508 deportees, Jews and the Roma deportee Stevo Caroli, from transit camp Kazerne Dossin (Dossin barracks) in Mechelen, and this combined transport with Jews, Sinti and Roma, including Settela Steinbach, continues to the east…to the Bergen-Belsen and Auschwitz concentration camps. Stevo Caroli survives Auschwitz-Birkenau. After returning to Belgium, Stevo Caroli’s request for a certificate, necessary for the compensation for political deportees or work refusers, is refused by the Belgian Aliens Police for racial reasons ( kazernedossin.memorial/biografie/stevo-karoli/ ).
Bio 1966 Photography | 20230706 | Michel van der Burg | Miracles•Media | Summer of 1966 photography day trip at the Scheveningen seaside resort of The Hague, Netherlands. At the age of 14 – I am looking for good pictures with a Voigtländer Vito camera (no light meter / no rangefinder / fixed lens / viewfinder) on a breakwater in the North Sea. Captured on double 8 film by Piet van der Burg (my father) with a Paillard Bolex B-8 cine camera. @michelvanderburg | TakeNode 487a5ee6-bdae-4404-a2a2-55e9a4bfbcde
The new 2021 Westerbork Film is missing part of the image in every frame …
The new high quality restored Westerbork film, presented first May 2021 by the Netherlands Institute for Sound & Vision and the NIOD Institute for War, Holocaust and Genocide Studies, has numerous advantages over the previous well known first edition of the Westerborkfilm made in 1986 in 4 acts by the dutch Rijksvoorlichtingsdienst (RVD ; the Dutch National Centre for Information) .
The full 1986 film including all 4 acts , was first published in 2019 at Settela•Com (Ref 1), with annotations for the various scenes. That 1986 Westerborkfilm however does not include all of the footage shot by Rudolf Breslauer, Spring 1944 in Camp Westerbork, in the Netherlands.
Footage not used in the 1986 Westerbork film compilation was presented in a series of posts published later in 2019 at Settela•Com.
Next, a film compilation of all that known footage was posted online as the WESTERBORK FILMS COLLECTION – UNESCO ALBUM (Ref 2). That film compilation was also made available for download 20 January 2020 by Michel van der Burg | Miracles.Media via the Open Images bank of Sound & Vision (Ref 3). That compilation was prepared without checking / deleting duplicate copies of footage, and thus contains redundant footage.
The 2021 restored Westerbork film is a major upgrade from the 1986 Westerborkfilm edition. Important advantages of the 2021 Westerbork film are , (i) new high quality 4K scans were made of the footage, (ii) containing a complete selection of all known footage, (iii) using only the best copies of all footage found in the archives, (iv) based on an extensive new inventory of all known archives, with the discovery of 2 canisters with ‘camera-original’ footage, and a hitherto unknown clip, and (v) with conservative, digital, restoration applied. Details on that new restored Westerbork film were discussed July 2021 with the co-publication of an important part of the 2021 Westerbork film : the new high quality deportation footage — a film compilation of scans of the newly discovered original camera negative film used by Rudolf Breslauer 19 May 1944 in Camp Westerbork, in the Netherlands (Ref 4).
The complete Westerbork Film 2021 was published too at Settela•Com on May 7, 2022 with all scenes annotated (Ref 5), together with a short introductory film : Westerborkfilm Introduction (Ref 6).
Note that additional digital restoration has been applied by Sound & Vision for the publicly made available so-called ‘display edition’ of this new 2021 Westerbork film according to Conservator Valentine Kuypers | Sound and Vision (Ref 7) – as discussed previously at Settela•Com (Ref 4).
Missing Part Images
It should be noted that the released 2021 ‘display edition’ of the Westerbork film – due to the applied image stabilization – does show less of the actual image in each frame as compared to the 1986 edition.
Below some examples illustrating the crop in the display edition.
2021 edition | not showing ‘nazi with bike’ | 20230519 | Settela•Com
2021 edition – not showing ‘nazi with bike’ in same scene, near identical frame — though he shows up in later frames a few seconds later, walking away ) – https://youtu.be/ZiLNDziwEtc?t=882
Settela’s car (not) showing 74p•
Next a comparison of the frame displaying “74 p.” (chalked on the car with Settela). The dot is shown in the 1986 film. That dot is missing in the 2021 film due to the cropped image resulting from the image stabilization.
Of note : first news clips presented by Sound & Vision announcing the new restored film , are apparently not based on the ‘display edition’, and do show that dot in the original 4K scan.
The full image — including the dot ’74 p.” — was shown in a first news item Sep 12, 2019 on the daily dutch ‘Nieuwsuur’ national news show , on colorized high quality deportation footage, that mentioning the new original footage. Item “Iconische beelden Tweede Wereldoorlog na 75 jaar in kleur” ; URL https://nos.nl/nieuwsuur/artikel/2301340-iconische-beelden-tweede-wereldoorlog-na-75-jaar-in-kleur
Jan 2020 Sound & Vision publicly showed and announced the newly discovered camera original footage via the daily dutch news show NOS (Ref 8) showing the images with no crop — including the dot ’74 p.” and presented an 8 min film compilation a few days later via their Vimeo channel also (at 0021) shwoing 74 Pers • (with dot) . URL https://vimeo.com/386667241
In 2021 Sound & Vision apparently started using the ‘display edition’ for publications on the new found original Westerbork deportation footage ; such as the YouTube uploads “De Westerborkfilm 📽️🎞️” (uploaded Apr 8, 2021) – https://youtu.be/8Y-A4BkWY18?t=2 , a video presented first I believe April 18, 2021 in an online Media Café event by Sound & Vision , and May 18, 2021 on the occasion of the public release of the restored film (Ref 9), in the 20 min presentation “Gerestaureerde filmbeelden Westerbork (1944)” of a compilation of selected images from the restored film – missing again the dot at 0:47 – https://youtu.be/-zCmr6PSNcI?t=47
Missing Image Westerbork Film 2021 | 20230519 | Michel van der Burg | Settela•Com | ISSN 2949-9313
References
1. Westerbork Film | Full version RVD 1986 | 20190605 | Michel van der Burg | Settela•Com | ISSN 2949-9313
2. WESTERBORK FILMS COLLECTION – UNESCO ALBUM | 20200120 | Michel van der Burg | Settela•Com | ISSN 2949-9313
3. WESTERBORK FILMS COLLECTION – UNESCO ALBUM (20200120) Michel van der Burg | Settela•Com | ISSN 2949-9313 | CC BY 4.0 | Open Images – URL https://www.openimages.eu/media/1223905
5. Westerbork Film 🎦 2021 | 20220302 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | Display edition film annotated online in CC
6. Westerborkfilm Introduction | 20220507 | Michel van der Burg | Settela•Com | ISSN 2949-9313 | Introduction by Michel van der Burg on the Westerborkfilm screening in METRO Kinokulturhaus , Vienna , Austria at the DOCUMENTS OF DESTRUCTION | DOKUMENTE DER VERNICHTUNG Symposium 6-7 May, 2022 curated by Florian Widegger. Presented by Filmarchiv Austria in cooperation with the Vienna Jewish Film Festival and the Mauthausen Memorial.
Short impression of visiting JR: Chronicles in the Groninger Museum in Groningen, The Netherlands — a major show of the work of the artist JR, organized by the Brooklyn Museum. Here focusing on the video wall of Inside Out projects, screening our short film Béguinage Refugees Into The Wild.
The exhibition is touring the world. First , the Brooklyn Museum in New York from October 4, 2019 – May 3, 2020. Next, the Saatchi Gallery in London from June – Oct 2021. And more recent the Groninger Museum in Holland (The Netherlands) from Nov 2021 untill June 2022 — filmed here June 2022. A promotional film with images of all these places was posted 20220107.
The show highlights JR’s global public participatory art project INSIDE OUT ( @insideoutproject ) .
A video wall is screening the Best of INSIDE OUT videos – including our film ‘Béguinage Refugees Into The Wild’ – a short documentary on the Inside Out project “Justice for Afghan refugees in Belgium”.
Our short film documents the Afghan refugees living in the Brussels Béguinage church , with music by Félix Snyers on the Béguinage church pipe organ, and their portrait’s (posters) by Chiara Ravano for the Inside Out project “Justice for Afghan refugees in Belgium” exhibition at Olivier Bonny’s workshop in Salon Mommen, Brussels, Belgium, March 2014. A Beguinage Project report by Kristen Cattell & Michel van der Burg.
License info JR: Chronicles Groninger Museum | 20230301 | Miracles•Media | TakeNode fbe93b03-5b53-4b3f-92ce-df537ffc1d96
The former Höhere SS- und Polizeiführer in the Netherlands, H.A. Rauter, must stand trial in The Hague for his crimes, which he committed in World War II. Hanns A. Rauter, an Austrian, was the highest SS official in Nazi-occupied Holland and was tasked with setting up the camps in Westerbork and other dutch cities, and the arrests , internment and deportation of Dutch Jews , Roma, Sinti, resistance workers, and other groups of Dutch people. Dutch cinema news March (week 14) 1948 (company : Polygoon Hollands Nieuws) .
The sessions will take place on 1, 2, 3 and 22 April in the former palace on the Kneuterdijk in The Hague. The court is chaired by mr. P.G.M. van Meeuwen; attorney-at-law is mr. J. Zaayer; defender (added) is mr. K. van Rijckevorsel. SHOTS: – exterior Special Court building; – a long line of interested people stands in the rain in front of the public entrance and rushes in when the door opens; Rauter arrives, with guards, in a crook’s car in the courtyard; thick file under the arm; goes in; – interior of courtroom packed with audience: Rauter (in uniform without insignia) enters and sits down between two guards; judges enter; – session starts; Rauter makes a statement standing.
The trial news continues in the previously published film : Westerbork Film in ‘Proces Rauter’ 1948 | 20190520 | Settela•Com
De vroegere Höhere SS- und Polizeiführer in Nederland, H.A. Rauter, moet in Den Haag terechtstaan voor zijn misdaden, die hij beging in de Tweede Wereldoorlog. Weekjournaal van Polygoon Hollands Nieuws van week 14 uit 1948. De zittingen hebben, op 1,2,3 en 22 april plaats in het voormalige paleis aan de Kneuterdijk. Het hof staat onder voorzitterschap van jhr. mr. P.G.M. van Meeuwen; als procureur-fiscaal treedt op mr. J. Zaayer; als (toegevoegd) verdediger mr. K. van Rijckevorsel. Beeld: – ext. gebouw Bijzonder Gerechtshof; – een lange rij belangstellenden staat in de regen voor de publieke ingang en haast zich naar binnen als de deur open gaat; – Rauter arriveert, met bewakers, in een boevenwagen op de binnenplaats; dik dossier onder de arm; gaat naar binnen; – int. van een met publiek volgepakte rechtszaal: Rauter (in uniform zonder distinctieven) komt binnen en gaat – tussen twee bewakers – zitten; rechters komen binnen; – zitting begint; Rauter legt – staande – een verklaring af.
Het proces nieuws wordt vervolgd in de eerder gepubliceerde film : Westerbork Film in ‘Proces Rauter’ 1948 | 20190520 | Settela•Com
Bron : Polygoon Hollands Nieuws / Sound & Vision (Open Beelden).
License Info : SS Führer Rauter Trial Start 1948 | 20230127 | Settela•Com | TakeNode 3d48e3a5-2fc8-4d8d-ba8b-21c07d238570
Samudaripen – Genocide of the Gypsies – Claire Auzias
The French author, historian and libertarian, Claire Auzias researches social movements, women’s history and Roma’s history (1). She has written several works on the Roma’s history in the last 20 years. Samudaripen, the Genocide of the Gypsies, first appeared in 1999/2000 (2,3), and is now followed by the 3rd edition (4) published by L’Esprit Frappeur (Paris).
In her book Samudaripen, Claire Auzias sheds light on this poorly documented genocide in the III Reich , Eastern Europe, and Western Europe. This entirely revised 3rd edition now includes two new chapters — one on Switzerland by Claire Auzias, and one on The Netherlands by Erik Van Den Muijzenberg. Claire Auzias , in her foreword (5) : “…the patient discovery of the identity of an anonymous icon of the deportation, in the guise of a Dutch Sinti girl, made the chapter on the Netherlands obligatory, at least for those of the French gypsies who do not read foreign languages.”
2 – Claire Auzias interview (2009) “Samudaripen” – Un entretien avec Claire Auzias, auteure du livre “Samudaripen, le génocide des Tziganes” aux éditions L’Esprit frappeur. Réalisé fin octobre 2009 par Bruno Boudiguet pour Télé Liberté / Le Cobaye international . Dailymotion URL https://dai.ly/xb9lah
5 – Claire Auzias (2022) Samudaripen, le génocide des Tsiganes (Samudaripen, the Genocide of the Gypsies), Paris, L’Esprit Frappeur (3nd edition 2022) ISBN 978-2-85103-051-1 | Avant Propos : “…la découverte patiente de l’identité d’une icône anonyme de la déportation, sous les traits d’une fillette sinti hollandaise, rendait obligatoire le chapitre sur les Pays-Bas, a minima à l’attention de ceux des Tsiganes français qui ne lisent pas les langues étrangères.”
License info :
Samudaripen – Genocide of the Gypsies – Claire Auzias | 20221210 | Settela•Com
