Short impression (some clips) of my visit on Friday evening, April 11, 2025, to the Atelier Marcel Hastir in Brussels, at the start and closing of ‘Auschwitz, our story’— documentary and lecture by Herman Teerhöfer, with the participation of Natalia and Julia Kotarba of the Karski Quartet. Herman Teerhöfer of the Smolinski Foundation interviewed 91 Auschwitz survivors over the past fourteen years. Through his documentary Auschwitz, Our Story, he explains how they managed to survive Auschwitz spiritually, oscillating between hope and fear.
Citation info : Auschwitz Survivors In Brussels • Michel van der Burg • Miracles•Media • @1MEMO 20250418 • TakeNode 9eeb9646-f769-41d6-9b97-ccf27bf5c7a5
Almost certainly, three Jewish people have been recognized in the unique Westerbork film from 1944 (1). This time it concerns the 9-year-old boy Israël Wijnschenk, his father Max Wijnschenk, and his grandmother Betje Kokernoot-van Furth, who all lived in Utrecht (Holland).
Last week, the Dutch public broadcaster NOS (2) reported the news from the Utrecht (Dutch) news site Nieuws030 (3) that it is very likely that three people were recognized again in this film made by the Jewish prisoner and filmmaker Rudolf Breslauer showing the deportation of Jews, Roma and Sinti by train in Camp Westerbork on May 19, 1944.
Image researcher Koen Hulsbos — who previously identified an Amsterdam couple in this deportation train (4) — thought he recognized the young Israël Wijnschenk, a pupil at the time of the Joodse (Jewish) School Utrecht, and presented this to Victor Frederik, researcher of the Joodse School (5,6). The boy, the man, and the woman seem to belong together, and were recognized from family photos, also by family members.
It is certain that Max and his wife Chel (not in the images) returned to Utrecht after the war, their children Israël and his sister Kitty were murdered. Grandma Betje was also gassed in Auschwitz.
A portrait of Israël Wijnschenk is shown at the site of Joods Monument (7).
According to the transport list, there were two other children in that wagon, Joseph Beugeltas (11 years old) and Manfred Studzinsky (7 years old). Joseph Beugeltas appeared to have blond hair, and could not have been it (6). To be completely sure, the researchers are still looking for a photo of Manfred Studzinsky, for comparison…
Ward Adriaens (Mechelen, Belgium) passed away suddenly on the evening of November 15th, 2024. A wonderful man, a freethinker, author, with a passion for living history, especially the resistance, partisans, in World War II, and the founding director in 1995 of the Jewish Museum of Deportation and Resistance (JMDR) that opened its doors in 1996. In 2012 the JMDR became the Kazerne Dossin museum, with Ward Adriaens as honorary curator. In 2005 Ward Adriaens launched the Give Them a Face archival project. The portraits of all Jewish, Roma and Sinti deportees which passed through the SS-Sammellager Mecheln (Dossin barracks, transit camp, Mechelen) in 1942-1944, were scanned to create the “Give Them a Face” portrait collection. All around 20,000 photos in the Give Them a Face portrait collection are now part of the commemoration wall – a permanent exhibition – at the Kazerne Dossin museum.
In 2009 , I first encountered the Transport XX installation in Brussels, and met Ward Adriaens’ team of the Give Them a Face project in the Jewish Museum of Deportation and Resistance in Mechelen, Belgium (1,2).
Next , Ward Adriaens participated in our 2012 documentary Transport XX to Auschwitz (3).
Recently, May 2024, Ward Adriaens’ opening speech at the TRANSPORT XX installation in Mechelen in 2007, was posted in the ‘Miracles’ project at Miracles•Media (4).
Quote
“…Let us clearly understand that this is the fundamental basis of racism: persecuted because we have a mother. We all have parents and many amongst us have children. In order to protect them it is essential that we do not give an inch to racism. Everyone of us will come under threat should the policy makers be influenced by racism…”
3. Ward Adriaens’ interview by the dutch reporters Piet de Blaauw & Aart Zeeman (Dutch NCRV-Netwerk broadcast, 13 April 2005, NL1) from the documentary ‘Transport XX to Auschwitz’ – a film by Karen Lynne & Richard Bloom and Michel van der Burg • In : Documentary film “Transport XX to Auschwitz” • Miracles•Media • 20130419 • URL (retrieved 20241119) https://michelvanderburg.com/2013/04/19/transport-xx-to-auschwitz/
The unique 1935 sound film of the Amsterdam’s Great Synagogue Choir (1,2,3) was made by the popular Polygoon journalist Jo Levi.
Wondering who Jo Levi was , I searched online, and found this picture below (20241107_1) with Jo Levi. Jo Levi is the second man from the left in this postwar photo of Polygoon men, posted by former Polygoon editor Fredo Krooshof at Cinecentrum Hilversum (4).
Polygoon Men • Miracles•Media • 20241107_1 | Source Cinecentrum Hilversum : Left to Right : Cees v.d. Wilden – Dir. Polygoon Haarlem; Jo Levi – Red. Pol.jnl; Philip Bloemendal – Red. and comm. Pol.jnl; Man in the background – name unknown; Gé Bresser – Procurator Polygoon; RVD man – name unknown (4).
Jo Levi together with Philip Bloemendal directed the Dutch cinema news for Polygoon. Philip Bloemendal , nicknamed “The voice of the Netherlands” , was for 40 years (from 1946 to 1986) the Dutch cinema newsreel announcer, voice-over, and editor . His voice-overs are The Voice of the postwar Dutch Polygoon news reels.
“Where they are not, nothing is happening” was the motto (5) of the cameramen of the Polygoon newsreel company in Holland.
May 1931 , two dutch newsreel companies, Polygoon in the city of Haarlem, and Profilti in The Hague, were competing to have the premiere of the first Dutch cinema newsreel with sound. Below a May 17, 1931 Polygoon interview (6) with former cyclist and sportsman W.W. van der Vet on the occasion of his 85th birthday (20241107_2).
6. Opa Vet (sportopa) voor de microfoon. Published 17 May 1931. Polygoon Hollands Nieuws (producer) / Nederlands Instituut voor Beeld en Geluid (Open Beelden archive)
Citation info : Polygoon Journalist Jo Levi • Michel van der Burg • Miracles•Media • 20241107
Geluidsopname ter Groote Synagoge • NIW 15 Nov 1935 • Miracles•Media • 20241025
Friday, 15 Nov 1935 • NIW (1)
“Sound recording at the Great Synagogue
The jubilee of the N.I.H.S., which has attracted interest in our community in many circles, has also attracted the attention of Polygoon, the well-known sound journalists. They wanted to record something specific of this jubilee and in honor of the jubilee on the sound film and insert it as part of the cinema newsreels this week. Chief cantor I. E. Maroko and the synagogue choir, led by his well-known conductor S. H. Englander, were prepared to perform a synagogue song. And so the recording took place last Wednesday evening in the Great Synagogue. When we came to take a look at the Synagogue, which was already decorated for the occasion, at 8 o’clock, all preparations had been made. A number of lamps, together 25,000 candles strong, provided sufficient lighting. The choir sang Psalm 118, while Mr. Maroko sang the solos. The recording, which was made under the direction of the popular Polygoon man Jo Levi, and in which Max Tak was present, will certainly attract the interest of the cinema-loving public and for those who do not regularly go to the cinemas, we can certainly recommend a visit this time.”
This NIW 1935 news (1) describes the ‘sound film’ was made Wednesday 13 Nov 1935 under the direction of Polygoon man Jo Levi. Below the ‘sound film’ and first part of my description, as posted Aug 20, 2019 (2).
November 1935, on the occasion of the 300th anniversary of the NIHS Jewish Community of Amsterdam (orthodox Ashkenazi congregation started 1635) the dutch film factory Polygoon brought this unique cinema sound newsreel of the Amsterdam Choir of the Great Synagogue led by choirmaster Samuel Henri (Sam) Englander, with a solo perfomance by chazzan (cantor) Izrael Eljasz Maroko in the Great Synagogue (inauguration building 1671) – now home to the Jewish Historical Museum in Amsterdam, Holland (2).
Notes
1. Today I found this article on the Polygoon ‘sound recording’ (2) in the dutch weekly ‘Nieuw Israelietisch weekblad’ (Transl: New Israelite Weekly) of Friday, November 15, 1935. URL Delpher.nl (retrieved 20241025) .
Dutch transcript
Geluidsopname ter Groote Synagoge
Het jubileum der N.I.H.S., dat de belangstelling in vele kringen op onze gemeente heeft gevestigd, heeft ook de aandacht getrokken van Polygoon, de bekende geluidsjournalisten. Men wilde n.l. iets specifieks van dit jubileum en ter eere van het jubileum op de geluidsfilm vastleggen en dit deze week als onderdeel in de bioscoopjournaals inlasschen. Oppervoorzanger I. E. Maroko en het sjoelkoor, onder leiding van zijn bekenden dirigent S. H. Englander, werden bereid gevonden om een synagogaal gezang ten gehoore te brengen. En zoo vond Woensdagavond j.I. de opname plaats in de Groote Synagoge. Toen wij om 8 uur een kijkje kwamen nemen in de reeds in feesttooi gestoken Synagoge, waren alle toebereidselen getroffen. Een aantal lampen, tezamen 25.000 kaarsen sterk, zorgde voor voldoende belichting. Het koor zong Psalm 118, terwijl de heer Maroko de soli zong. De opname, welke onder leiding van den populairen Polygoonman Jo Levi geschiedde, werd vervaardigd en waarbij o.a. Max Tak tegenwoordig was, zal zeer zeker de belangstelling van het bioscoopminnend publiek trekken en zij, die niet geregeld in de cinema’s komen, kunnen wij ditmaal zeker een gang daarheen aanbevelen.
October 15, 2024 — Watch free online the full documentary “The Jews of Corfu” – a film by Mirjan Gjergjevica & Maria Boua (1) .
Documentary “The Jews of Corfu” – a film by Mirjan Gjergjevica & Maria Boua
The Jews of Corfu – Review
The Jews of Corfu – a population group that was an important part of the island, contributed to the formation of its history. But the tragic events that befell them were added to the black page of human history. The film The Jews of Corfu (2021) is a powerful documentary by Mirjan Gjergjevica (direction, cinematography, editing, production) & Maria Boua (script, music, sound, production) with narration by Yannis Andriotis and stories told by Zaharias Matathias • Linos Sousis • Nina Vital. Powerful — both visually and the sound — filmed in an innovative way, combining ambient sound and stories told outdoors with the Mediterranean background, in public spaces, the streets, and Corfu synagogue – with an excellent film score – that is especially impressive how it manages to accompany the viewer in scenes of holocaust atrocities. The history of the Corfiot Jews – a mixture of Pugliese (from south Italy) and Romaniote (from Greece) is told in vivid detail from the Middle Ages to today. I watched this fast paced film twice, last premiere weekend, to fully grasp the whole picture ~ Michel van der Burg – Monday , March 14, 2022 (2).
Film festivals & education & online
The free public release of the film was announced last Saturday (Oct 12, 2024) by filmmaker Mirjan Gjergjevica (3) :
“It is with great pleasure and honor that we present to public our documentary, The Jews of Corfu. This work has been screened in many festivals around the world, from America to Australia, and has been lovingly embraced by schools and universities. Now, we are happy to share this freely with you all. I warmly thank all the main contributors who contributed to the realization of this documentary: Maria Boua, Christiana Latsa, Yiannis Andriotis, Anthi Kyrtsoglou, Giorgos Zumbos and all those who helped directly or indirectly. We hope this documentary continues to convey its message to even more people and be a way to learn about the history of the Jews of Corfu.”
Mirjan added in an update Oct 13, 2024 :
“We would like to clarify that the present publication of the documentary is not related to the recent war events that are taking place. We condemn all forms of violence and conflict, and we strongly advocate peace and reconciliation among the peoples. “
