Girls’ Gym Suit 1930 Cycling along Gouwe River | 20231210

– (nederlands beneden / dutch below) –

EN – Confusing in this historical picture…those bare female legs on the bicycle !
While looking for another picture of the De Schoone Haas windmill from the paper factory along the Gouwe in Waddinxveen, I found a photo in the archives of the SAMH museum in Gouda with the mention ‘Freight ship in front of the Alblas timber trade, windmill in the background, after 1905.’ — above (20231210_1) an edited version with sharpening, and brightness adjustments.

At first glance I miss the sawmill of Alblas, and next to it the Remonstrant church – of which I previously posted moving images (1). Watching that film again shows that both buildings are further back – the Remonstrant church probably because it was a clandestine church – and therefore kept out of sight here. The film also shows this second Alblas building, on the water and close to the sawmill.
Not far from the De Schoone Haas paper-wind-mill there was another windmill – De Nijverheid, of which an overview photo was recently posted (2). That windmill – De Nijverheid – is recognized here in the background of the photo. The Schoone Haas windmill, which was closer to the Alblas company, appears to have disappeared at this time. The blades of the De Nijverheid windmill are missing here.
The Dutch windmill database mentions (info from Jacob Stolp) that the sails of De Nijverheid were removed in 1929, and the mill was demolished in 1932 (3). So this photo was taken around 1930.

At image analysis for dating, those cyclists with bare legs are initially confusing in such a historical picture. Closer inspection reveals that posing is taking place: the cyclist on the right in the picture is perhaps a boy, and is still standing next to the bicycle, which suggests that the others have just started cycling, with the young woman (girl) on the left not yet sitting straight.
Over the past month I saw a lot of photographic images of life and work along the Gouwe up to about 1920, and I almost always saw the women in skirts down to the ankles, some down to mid-calf (4).

Above is an enlargement of the cyclists (20231210_2). The woman on the bicycle in the middle wears unusual clothing with short legs with elastic on the thighs, and over that a cardigan and large (shoulder) bag.
Such fashion was found in women’s magazines from around 1930…such as the Modern Gym Suit in the American magazine The Delineator Aug. 1931, for juniors (5), with option to purchase a Butterick sewing pattern. Below is a collage of clippings (edited image) from this magazine of the one-piece v-neck gym suit…
“One just steps into it from the top and fastens it on the shoulders. Simple to make.”.


Such a One-Piece Gym Suit is also recommended in the 1932 catalog of the American Sears Roebuck with:
“You will now find this suit standard equipment in many colleges and high schools, also used by dancers …. ” (6).

Bloomer – Women’s Rights

The ‘Bloomer’ – usually larger, see also that page in the Sears Roebuck 1932 Catalog (6) – goes back – in longer versions – to the 1850s.

Satirical cartoon : In a reversal of genders, a “bloomer” asks her fiancé’s shocked father for consent to marry his son (Ref 7).

In general, women’s sport and activewear has helped emancipation (8).

John Noble’s 1895 ‘New Convertible Costume’ … appropriate for walking, golfing and wheeling. In: Los Angeles Herald, 1895 | Source K. Jungnickel in The Sociological Review (Ref. 8).


Dutch :

NL – Verwarrend in dat historisch plaatje boven…die blote vrouwenbenen op de fiets!
Op zoek naar nog een plaatje van windmolen De Schoone Haas van de papierfabriek langs de Gouwe in Waddinxveen, vond ik in het archief van het SAMH museum te Gouda een foto, met vermelding ‘Vrachtschip voor houthandel Alblas, op de achtergrond molen, na 1905.’ Hierboven (20231210_1) een bewerkte versie (met verscherping, en helderheid aanpassingen) van die foto.

Op het eerste gezicht mis ik in die foto de houtzagerij van Alblas , en daarnaast de Remonstrantse kerk – waarvan ik eerder film beeld gepost heb (1). Bij weer bekijken van die film blijkt dat die beide gebouwen meer naar achteren staan – de Remonstrantse kerk waarschijnlijk omdat het een schuilkerk was – en daarom dus wat uit het zicht. Voorts laat die film ook dit tweede Alblas gebouw zien, aan het water en dicht bij die zagerij.
Niet ver van papiermolen De Schoone Haas heeft nog een windmolen gestaan – De Nijverheid, waarvan recent een overzichts-foto is gepost (2). Die molen – De Nijverheid – wordt hier in de foto herkend op de achtergrond. De Schoone Haas molen , die dichter bij Alblas stond, blijkt dus op dit tijdstip al verdwenen. De wieken van molen De Nijverheid ontbreken hier.
De Nederlandse molen database vermeld (info van Jacob Stolp) dat de wieken van De Nijverheid werden verwijderd in 1929 , en de molen in 1932 werd afgebroken (3). Deze foto is dus rond 1930 gemaakt.

Bij de beeldanalyse voor de datering zijn die fietsers met blote benen in eerste instantie verwarrend in zo’n historisch plaatje. Nadere beschouwing van de uitvergroting hierboven van de fietsers (20231210_2) leert, dat er wordt geposeerd : de fietser rechts in beeld is misschien een jongen, en staat nog naast de fiets, wat suggereert dat de anderen zojuist zijn gaan fietsen, waarbij de jonge vrouw (meisje) links, nog niet recht zit.

De afgelopen maand zag ik veel fotografisch beeld van leven en werken langs de Gouwe tot ca 1920 , en zag ik de vrouwen vrijwel altijd in rokken tot de enkels, een enkeling tot halverwege de kuit (4).

De vrouw op de fiets in het midden draagt aparte kleding met korte pijpen met elastiek op de bovenbenen, en daarover een vest, en grote (schouder-) tas.

Dergelijke mode werd teruggevonden in vrouwenbladen van rond 1930…zoals dat Modern Gym Suit in het Amerikaanse blad The Delineator Aug. 1931 , voor jongeren … ‘Juniors’ (5), met optie om een Butterick naaipatroon aan te schaffen. Hierboven ( zie Modern Gym Suit | 20231210_3 ) een collage van knipsels uit dit blad, van het gympak uit één stuk met V-hals … ” je stapt er van boven in en sluit het op de schouders – simpel te maken. “

Zo’n One-piece Gym Suit wordt ook aangeprezen in de catalogus uit 1932 van het Amerikaanse Sears Roebuck met :
“Tegenwoordig is dit standaarduitrusting op veel hogescholen en middelbare scholen, alsook bij dansers…”(6).

Bloomer – Vrouwenrechten

De ‘Bloomer’ – doorgaans ruimer , zie ook die pagina in de Sears Roebuck Catalogus 1932 (6) – gaat terug – in langere versies – tot de 1850s.

Zie boven (20231210_4) de spotprent uit een krant/magazine van ca 1852 ‘A Poser for a Bloomer’ .
In een omgedraaide genderrol vraagt een ‘bloomer’ de geschokte vader van haar verloofde om toestemming om met zijn zoon te trouwen (Ref 7).

In het algemeen heeft sportkleding en activewear voor vrouwen, geholpen bij de emancipatie.

John Noble’s 1895 ‘New Convertible Costume’ (beeld : 20231210_5 ) … appropriate for walking, golfing and wheeling … Los Angeles Herald, 1895 (Ref. 8).


Refs

1. Alblas Hout – 1920s Waddinxveen Works – Gouwe River | 20231117 | Michel van der Burg | 1-memo•com
2. Windmills Hoop & Nijverheid ca 1898 in Waddinxveen Along the Gouwe River | 20231208 | 1-memo•com | @michelvanderburg
3. De Nijverheid, Waddinxveen. Ten Bruggencate-nr. 01213r. Nederlandse Molendatabase | URL https://www.molendatabase.nl/molens/ten-bruggencate-nr-01213-r
4. Markt – 1920s Gouda Works – Gouwe River | 20231127 | Michel van der Burg | 1-memo•com | URL https://1-memo.com/2023/11/27/markt-1920s-gouda-works-gouwe-river-20231127/
5. The Modern Gym Suit – in the Junior assembly of smart new cloths – Delineator Vol. 119, No. 2 August, 1931 | University of Wisconsin Library | URL https://search.library.wisc.edu/digital/ANZCBWLRGZ4KWD8C/pages/APXEIY7ESINPKB8K
6. Gym suits, Sears Roebuck Catalog, 1932 in : The History of Fashion for Getting Physical | Summer Lee | The Vintage Woman Magazine | URL https://thevintagewomanmagazine.com/history-of-exercise-fashion/
7. A Poser for a Bloomer. By J L (monogram) ca 1852. | Bodleian Libraries Oxford University | Wikimedia Commons. CC-BY. URL https://commons.wikimedia.org/w/index.php?curid=40711232 . Satirical cartoon about the Bloomerism movement. Girl in bloomers seeking consent to marry from her fiance’s father. Cutting from newspaper/magazine. Shelfmark: Fashion 19 (56) (subsection: Satire and reform movements: Bloomers and Bloomerism).
8. Jungnickel, K. (2023). Convertible, multiple and hidden: The inventive lives of women’s sport and activewear 1890–1940. The Sociological Review, 0(0). https://doi.org/10.1177/00380261231153754

Citation info : Girls’ Gym Suit 1930 Cycling along Gouwe River | 20231210 | 1-memo•com | @michelvanderburg

Images

1. Girls’ Gym Suit 1930 Cycling in Waddinxveen along Gouwe River | 20231210_1 | 1-memo•com | @michelvanderburg | TakeNode 9e5188f1-2ced-458a-817c-9e8bcc221b85

2. Dutch Girls’ Gym Suit 1930 | 20231210_2 | 1-memo•com | @michelvanderburg | TakeNode cbf51c72-fd08-4a93-90a2-ff3e9f3a1240

3. Modern Gym Suit | 20231210_3 | 1-memo•com | @michelvanderburg | Edited montage of cuttings from The Delineator Aug. 1931 (Ref. 5) | TakeNode a1543a33-f0b0-4ba4-9bb4-70978707575a

4. Bloomer ca 1852 | 20231210_4 | 1-memo•com | A Poser for a Bloomer. By J L (monogram) ca 1852. | Bodleian Libraries Oxford University | Wikimedia Commons. CC BY | Takenode e7f54d92-800e-4e06-be2f-b54c019bbecc

5. John Noble’s 1895 ‘New Convertible Costume’ | 20231210_5 | 1-memo•com | Los Angeles Herald, 1895 | TakeNode 34a18b6c-7562-4310-ba79-713dca5bb018

236 Land(es)capes 20th convoy


Video report of the preview 19 Jan 2023 presented by photographer Jo Struyven of photo exhibition ‘236 — Land(es)capes from the 20th Convoy’.
Photo exhibition of works by Jo Struyven and Luc Tuymans in the Jewish Museum of Belgium, Brussels, Belgium | January 20 – August 14, 2023.
License info : 236 Land(es)capes 20th convoy | 20230126 | Michel van der Burg | Miracles•Media | TakeNode 428839bb-7165-4771-a490-27158928ec25

On April 19, 1943, the 20th transport left the Mechelen transit camp to deport 1,631 Jews to Auschwitz. Thanks to resistance actions, both inside and outside the wagons, 236 of these deportees managed to jump from the train that would lead them to destruction.

Photographer Jo Struyven revisits this unique act of resistance in Western Europe during the Nazi regime and shows us the landscapes in which this little-known story took place.

Full (1st) Post with news and updates

Escape Landscapes from the 20th Convoy – 236 Photo Exhibition | 20230121
michelvanderburg.com/2023/01/21/escape-landscapes-from-the-20th-convoy-236-photo-exhibition/

Escape Landscapes from the 20th Convoy – 236 Photo Exhibition

236 — Land(es)capes from the 20th Convoy

Jo Struyven / Luc Tuymans

From 20 January 2023, the Jewish Museum of Belgium, in partnership with the Auschwitz Foundation, presents the exhibition entitled ‘236, Land(es)capes from the 20th Convoy’. It is set up in the museum’s project space and offers an artistic look at an exceptional and forgotten event in the Second World War.

The 20th convoy

At 10 p.m. on April 19, 1943, the 20th convoy departed from the Kazerne Dossin transit camp in Mechelen with 1,631 Jewish deportees in cattle cars, heading for Auschwitz.
Thanks to resistance actions, both inside the wagons and from outside, 236 of these deportees managed to jump from that train, that was leading them to extermination. An unique event in Europe under the Nazi administration.

Jo Struyven, photographer

The work of the Belgian photographer Jo Struyven (°Sint-Truiden, 1961) takes us back to these acts of resistance – commemorating the 80th anniversary in 2023 – and gives us a glimpse of the landscapes in which this striking story took place.
Taking the perspective of those who jumped off that train, an act for which many of them paid with their lives, Struyven creates a contemporary ‘memorial’ with 19 large ‘nocturnal’ black and white images, and one colour print.

Jo Struyven :

The 20th convoy, heading for the unspeakable “Auschwitz”, crossed the area where I grew up, barely 50 meters from my childhood bedroom — I found out 2 years ago after meeting Simon Gronowski. Ever since, I imagine the distress of the deportees. The destination was unknown to them. Some, sensing the worst, tried to escape it. I wanted to give an account of this border between life and death, between resignation and the impossibility of choosing, and the freedom regained with resistance to the oppressor’s plans.

Works presented by Jo Struyven

Land(es)capes from the 20th Convoy, 2020-2022, 19 black and white prints, 1 color print, 90×60 cm (Private collection – Belgium)

Jo Struyven, Land(es)capes from the 20th convoy 2020-2022, black and white print, 90x 60 cm, Wijchmaal (Private Collection, Belgium)

Jo Struyven, Land(es)capes from the 20th Convoy 2020-2022, black and white print, 90x 60 cm, Bierbeek (Private Collection, Belgium)

Jo Struyven, Land(es)capes from the 20th Convoy 2020-2022, black and white print, 90x 60 cm, Borgloon (Private Collection, Belgium)

Jo Struyven, Land(es)capes from the 20th Convoy 2020-2022, black and white print, 90x 60 cm, Piringen (Private Collection, Belgium)

Jo Struyven, Land(es)capes from the 20th Convoy 2020-2022, black and white print, 90x 60 cm, Botzelaer (Private Collection, Belgium)

Luc Tuymans, visual artist

In dialogue with Jo Struyven’s photographs, two works by Belgian visual artist Luc Tuymans (°Mortsel, 1958) evoke the destruction of the Jews and Roma of Europe. Die Wiedergutmachung (The Reparation) depicts body parts – left the eyes of gypsy children who had been experimented on by the Nazis. … images that in its incompleteness, reflect the inability to represent facts and memory .

Works presented by Luc Tuymans

Luc Tuymans, Our New Quarters, 1986, Oil on canvas, 80,5 x 120 cm (MMK – Germany) (Photo Ben Blackwell, courtesy David Zwirner, New York, London)
Luc Tuymans, Die Wiedergutmachung, 1989, Oil on cardboard, mounted on plywood, Oil on canvas; diptych, 36,6 x 43 cm, 39,4 x 51,8 cm, courtesy: Private collection (Photo Studio Luc Tuymans)

Art after the Shoah

“Writing a poem after Auschwitz is barbaric”, wrote German philosopher Theodor W. Adorno in 1949. Through two contemporary perspectives from the visual arts, this exhibition seeks to address this question of the (im)possibility of art after the Shoah in a new way.

Testimonies & Catalogue

This exhibition will be accompanied by a catalogue book edited by Daniel Weyssow and Jo Struyven and published by the Auschwitz Foundation entitled Land(es)capes from the 20th Convoy (press release on April 19, 2023), as well as an educational space presenting the testimonies from interviews and archives of convoy escapees.

Info+ ( & Français | Nederlands)

236
Land(es)capes from the 20th Convoy
Jo Struyven / Luc Tuymans
Exhibition at the Jewish Museum of Belgium, in Brussels, Belgium
20 January – 14 August 2023
Brussels
Website https://www.mjb-jmb.org

Auschwitz Foundation, Brussels, Belgium
Website https://www.auschwitz.be/en

News

Jan 20, 2023 – Vernissage ‘236’ Land(es)capes 20th convoy.

Full report at michelvanderburg.com here : https://michelvanderburg.com/2023/01/20/vernissage-236-landescapes-20th-convoy/

Vernissage ‘236’ Land(es)capes 20th convoy | 20230120

Video report : Vernissage ‘236’ Land(es)capes 20th convoy

Thursday January 19th, 2023, the vernissage of the photo exhibition 236 — Land(es)capes from the 20th Convoy was opened with speeches by Philippe Blondin, President of the Jewish Museum, and by Pierre-Yves Jeholet , Minister-President of the Government of the Federation Wallonia-Brussels. Next, the Belgian photographer Jo Struyven presented his work — escape landscape photographs glowing in the dark — like being lit by moonlight — as well as paintings contributed by Luc Tuymans in the project space. The exhibition runs from January 20 – August 14, 2023 in the Jewish Museum of Belgium, Brussels, Belgium. Video report (20230120) Michel van der Burg | Miracles•Media .

Jan 20, 2023 – VRT | Kristien Bonneure (Belgian Flemish Broadcast) 20 jan 2023

Post and podcast interview (dutch) Jo Struyven – link https://www.vrt.be/vrtnws/nl/2023/01/18/expo-xxe-konvooi/

BRUZZ 19 Jan 2023 — Brusselse fotograaf stelt tentoon in Joods Museum: ‘Vluchtlandschappen vastgelegd’

https://www.bruzz.be/videoreeks/donderdag-19-januari-2023/video-brusselse-fotograaf-stelt-tentoon-joods-museum

236 Land(es)capes 20th convoy | 20230126

New edition 236 vernissage video report with the focus on the presentation by Jo Struyven of the images .

Meet the artist : Jo Struyven

SUNDAY, FEBRUARY 5, 2023 AT 3 PM
Musée juif de Belgique
https://www.facebook.com/events/584997116296632

Updates

Sunday January 22th, 2023. Updated Museum’s poster image, and the Vernissage news item , editing text, plus embedding video.

Friday January 27th, 2023. News item added : 236 Land(es)capes 20th convoy | 20230126

Saturday January 28th, 2023. News item added : Meet the artist : Jo Struyven

Vernissage ‘236’ Land(es)capes 20th convoy


Photographer Jo Struyven presents a preview of his work last night , Thursday January 19th, 2023 at the vernissage of 236 — Land(es)capes from the 20th Convoy , an exhibition of works by Jo Struyven and Luc Tuymans in the Jewish Museum of Belgium, Brussels, Belgium, open from today for the public January 20 – August 14, 2023.

On April 19, 1943, the 20th transport left the Mechelen transit camp to deport 1,631 Jews to Auschwitz. Thanks to resistance actions, both inside and outside the wagons, 236 of these deportees managed to jump from the train that would lead them to destruction.

Photographer Jo Struyven revisits this unique act of resistance in Western Europe during the Nazi regime and shows us the landscapes in which this little-known story took place.

The vernissage was opened by Philippe Blondin, President of the Jewish Museum, and by Pierre-Yves Jeholet , Minister-President of the Government of the Federation Wallonia-Brussels.

Follow-up post tomorrow 20230121.
License info : Vernissage ‘236’ Land(es)capes 20th convoy | 20230120 | Michel van der Burg | Miracles•Media | TakeNode 5e71633a-0ff2-44bf-99dc-34f3db25bb26

ISSN 2949-9313 Registration Settela•Com

Settela•Com | ISSN 2949-9313 Registration – as ongoing integrating resource published by Miracles.Media (Netherlands) confirmed by the ISSN Centre of the Koninklijke Bibliotheek – the Netherlands National Library, Friday, 25th Nov 2022.
Settela•Com aims to online document and facilitate research of the Westerbork images, the use of the film in other works, the context of the camp and of the war in the Netherlands, and the destruction of diversity.
Settela•Com was made public with the first publication on May 19, 2019 — 75 years after the deportation of the Sinti girl Settela Steinbach from camp Westerbork was filmed — with the online premiere of the new one-minute film ‘Settela’.
From that first publication, contributions are published irregularly, with an average frequency of about once a month, mainly in English and Dutch, on the settela.com website.
Settela•Com welcomes contributions (English, Dutch, French) by submission of posts, papers, suggestions, or proposals within the scope of the platform.
ISSN Registration | 20221126 | Settela•Com | ISSN 2949-9313
TakeNode ID 44b0c33b-2be4-4fd7-816b-c38d35cdcbb5

Samudaripen Book Cover | 20221118

Samudaripen Book Cover | 20221118 | Settela•Com
For Settela•Com , Michel worked with Elisabeth Obadia at the small publishing house L’Esprit Frappeur in Paris and the Tokyo based French visual artist Benoit Dupuis (eden-olympia.net), by preparing a high quality camera-original still image of Settela (Ref 1) from the Westerbork film (Ref 2, 3) for the cover of the 3rd edition of the book Samudaripen, le génocide des Tsiganes (Ref 4) — the genocide of the Gypsies – by author, historian, Claire Auzias. Proud with the result. Waiting for the book to arrive …

REFERENCES

1 – Settela | 20220629 | Settela•Com | URL https://settela.com/2022/06/29/.

2 – Westerbork Film 🎦 2021 | 20220302 | Settela•Com | URL https://settela.com/2022/03/02/

3 – Westerborkfilm Introduction | 20220507 | Michel van der Burg | Settela•Com | URL https://settela.com/2022/05/07/

4 – Claire Auzias (2022) Samudaripen, le génocide des Tsiganes (Samudaripen, the Genocide of the Gypsies), Paris, L’Esprit Frappeur (3nd edition 2022) ISBN 978-2-85103-051-1 | URL https://livrelibre.fr/categorie/livres/editeurs/esprit-frappeur/

TakeNode aacc6868-73f9-4693-9eb6-41fc1b9ecad3

TAGS #Samudaripen #Settela #ClaireAuzias #Tsigane #Gypsy #book #cover #illustration #art #France #BenoitDupuis #EspritFrappeur #ElisabethObadia #AnnaMaria #Steinbach #portrait #still #image #Westerborkfilm #documentary #Westerbork #film #Rudolf #Breslauer #restauration #Roma #Sinti #Holocaust #Porajmos #children #concentration #camp #deportation #Jew #Netherlands #railcar #train #station #transit #UNESCO #film #Auschwitz #BergenBelsen #documentary #resistance #1Memo #SettelaCom #MiraclesMedia #michelvanderburg

Settela Film | 20220630

New 2022 slow motion edition based on the newly found camera-original footage (the original negative film used in Breslauer’s camera May 19, 1944) as published last year in Deportation Westerbork Film | 20210719 (REF 1).
Before in 2017 a similar first slow-motion film was published (Settela | 20170721) (REF 2) that was using the ‘duplicate’ footage (not original footage) from the 1986 RVD film (REF 3).

The 9-year-old dutch Sinti-girl Anna Maria ‘Settela’ Steinbach peeks outside , at the last moment just before the sliding door is closed , standing inside a freight wagon with 74 people on May 19 , 1944 in the Westerbork concentration camp in Holland , when this deportation train leaves for Auschwitz-Birkenau – where Settela is murdered a few months later in one of the gas chambers. Here she wears a headscarf made from a torn sheet, because the Nazis had her head shaved , and while Settela peeks outside , her mother cries behind her in the car : “Get out of there, or soon your head gets in between!”
She was filmed by the Jewish prisoner filmmaker Rudolf Breslauer as part of a documentary film being made on the Westerbork camp (REF 4,5). More info in previous posts (REF 1–10).

This film starts with a slow-motion edition (15% original speed) , followed by the unedited 3-4 seconds clip taken from the 2021 Deportation Westerbork Film (REF 1) . Note : the images bounce occasionally , due to a technical artifact — a defect in Breslauer’s camera (REF 10).

Credit

Settela Film | 20220630 | Michel van der Burg | Settela•Com – CC BY 4.0

TAGS #Settela #slowmotion #Anna #Maria #Steinbach #portrait #image #Westerborkfilm #documentary #Westerborkfilm #Westerbork #film #Rudolf Breslauer #restauration #Roma #Sinti #Holocaust #Porajmos #children #concentration camps #deportation #Jew #Netherlands #railcar #train #station #transitcamp #UNESCO #film #Auschwitz #Bergen-Belsen #documentary #resistance #bounce #1Memo #SettelaCom #MiraclesMedia #michelvanderburg

REFERENCES

1 – Deportation Westerbork Film | 20210719 | Michel van der Burg | Settela•Com | URL https://settela.com/2021/07/19/deportation-westerbork-film-20210719/

2 – Settela | 20170721 | Michel van der Burg | Settela•Com – CC BY 4.0 | URL https://settela.com/2017/07/21/settela/

3 – Westerbork Film | Full version RVD 1986 | 20190605 | Michel van der Burg | Settela•Com – CC BY 4.0

4 – Westerborkfilm Introduction | 20220507 | Michel van der Burg | Settela•Com | URL https://settela.com/2022/05/07/westerborkfilm-introduction-20220507/

5 – Westerbork Film 🎦 2021 | 20220302 | Settela•Com – CC BY 4.0 | URL https://settela.com/2022/03/02/westerbork-film-🎦-2021-complete-remastered-edition-20220302/

6 – ANONYM | Girl with the headscarf … | 20210416 | Michel van der Burg | Settela•Com | CC BY 4.0 | URL https://settela.com/2021/04/16/anonym-girl-with-the-headscarf-20210416/

7 – ANONIEM | Meisje met hoofddoekje … | 20210417 | Michel van der Burg | Settela•Com | CC BY 4.0 | URL https://settela.com/2021/04/17/anoniem-meisje-met-hoofddoekje-20210417/

8 – The Forgotten Genocide – The fate of the Sinti and Roma. Online exhibition by Tweedewereldoorlog.nl . | URL https://romasinti.eu

9 – Willy & Settela | Born Nomad | 20210519 | Michel van der Burg | Settela•Com | URL https://settela.com/2021/05/19/willy-settela-born-nomad/

10 – Restauratie Westerborkfilm (May 12, 2021) Valentine Kuypers | Beeld en Geluid URL: https://www.beeldengeluid.nl/kennis/blog/restauratie-westerborkfilm